Het grote Lyngdorf topic

Started by garmtz, February 18, 2006, 09:51:38

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Staaled

Quote from: TubeKees on June 24, 2007, 13:20:39
Komt er nog ooit eens een "film" oplossing van Lyngdorf? Een apparaat die alles rondom Dolby/DTS/meerkanaals gaat regelen?
Jawel,maar er wordt (nog) geen ruchtbaarheid aan gegeven.

Saludo,Hipster.
"Inability to accept the mystic experience is more than an intellectual handicap. Lack of awareness of the basic unity of organism and environment is a serious and dangerous hallucination. For in a civilization equipped with immense technological power, the sense of alienation between man and nature leads to the use of technology in a hostile spirit – to the "conquest" of nature instead of intelligent co-operation with nature." (Alan Watts, Psychedelics and Religious Experience, 1968)

Deleted member

Volgend jaar volgens de geruchten/opmerkingen vanuit Lyngdorf.  :)

Staaled

"Inability to accept the mystic experience is more than an intellectual handicap. Lack of awareness of the basic unity of organism and environment is a serious and dangerous hallucination. For in a civilization equipped with immense technological power, the sense of alienation between man and nature leads to the use of technology in a hostile spirit – to the "conquest" of nature instead of intelligent co-operation with nature." (Alan Watts, Psychedelics and Religious Experience, 1968)

Deleted member

Firmwareversie 3.5 van de Lyngdorf TDAi2200 versie is uit! Nu met de directe inputselectie! O0

Ik ga 'm morgen even uploaden naar de TDA, kan ik "eindelijk" de activities in m'n Logitech Harmony remote goed programmeren!  ;)

QuoteRelease notes for Lyngdorf TDAI 2200 Software:

release 3.0 2006 11/24:
- First release with new functions like Routing, crossover freq. 40-9999 Hz, naming of inputs and more
  (Se the manual)

release 3.1 2006 12/05:
- Added new input text, "Playing Console"
- Added subsonic filter on Line out (18 Hz highpass)

release 3.2 2007 01/18:
- Internal version, never released

release 3.3 2007 01/31:
- Bugfix: Can't enter "RoomPerfect" --> "Advanced options" after adding focus measurement.
- Bugfix: Verifying that RoomPerfect flash is erased when starting a guide and by selecting Factory reset.

release 3.4 2007 03/19:
- Improved mute function for setting/selecting filters and delay.
- Improved display start-up from power off mode.
- Improved communication with RoomPerfect™ module.
- Bugfixes

release 3.5 2007 06/27:
- New functionality when using remote (direct source selection also from standby)

Deleted member

Zo, de update is weer geslaagd en het selecteren van de juiste input gaat na inleren nu automatisch met de Logitech Harmony!  O0

Overigens hoef je NIET RoomPerfect te updaten, dat dacht ik laatst maar op het moment dat je een van de focussettingen selecteert verandert de RoomCorrection waarde van 0% naar de oorspronkelijke waarde.  :)

garmtz

Netjes! Hoe kies je de directe inputs (nog niet in verdiept, je bent snel man! ;))?

Deleted member

Quote from: garmtz on July  4, 2007, 21:35:02
Netjes! Hoe kies je de directe inputs (nog niet in verdiept, je bent snel man! ;))?

Ik zat op deze optie te "wachten", hij was een aantal maanden terug nl. al door Lyngdorf aangekondigd in de Lyngdorf UG op Yahoo.  ;)

Het werkt heel simpel, je drukt op 'digital' of 'analog' en vervolgens binnen een aantal seconden op 1,2,3,4 of 5 om de input te selecteren. Na je op de digital of analog toets hebt gedrukt gaat het cijfertje knipperen tot je op de numerieke toets hebt gedrukt. Doe je tot na de timeout niks dan springt hij door naar de volgende analog of digital input zoals voor de update.

Net nog even extra getest en het werkt perfect!  8) Volgens de release notes werkt dit ook vanuit standby dit heb ik echter niet getest omdat de mijne altijd aan staat.

garmtz

Briljant simpel! En te programmeren in iedere ab die macro's toelaat! 8)

hifiman

Er is ook een firmware update voor de SDAi2175 zag ik net  :) Ik heb er nog 1.8 op staan en ga die dan maar eens upgraden naar 2.0.

Ik vraag me alleen af wat het verschil tussen 2.0 en 1.8 is, uit de releasenotes wordt ik niet veel wijzer:
release 20 2007 02/27
- Improved communication to front display & keys

Wat moet ik me daar bij voorstellen  ???

bmateijsen

Dat is eigenlijk niets anders dan meer keuze mogelijkheden in bronnen.

Groet,

Bjorn

Quote from: Audioloog on July  6, 2007, 13:59:42
Er is ook een firmware update voor de SDAi2175 zag ik net  :) Ik heb er nog 1.8 op staan en ga die dan maar eens upgraden naar 2.0.

Ik vraag me alleen af wat het verschil tussen 2.0 en 1.8 is, uit de releasenotes wordt ik niet veel wijzer:
release 20 2007 02/27
- Improved communication to front display & keys

Wat moet ik me daar bij voorstellen  ???

ajbeefde

Vanmiddag Hi-Fi Choice gekocht, daarin een test van de Lyngdorf CD-1......

Moet zeggen, maakt me wel enigzins nieuwsgierig naar deze speler en dan in combinatie met de versterker..... :)
Denon AV Receiver AVR-X4500H, Denon DCD-1600NE,KEF R5, Kef IQ10, Kef model 100, REL Sub, Sony UBP-X800M2, LG OLED55C8PLA, Rega P3, Siltech, Supra, AQ Forest HDMI

bmateijsen

CD-1 in combi met TDA2200 of SDAi2175 is gewoon erg 8).

Quote from: ajbalmere on July  8, 2007, 18:02:13
Vanmiddag Hi-Fi Choice gekocht, daarin een test van de Lyngdorf CD-1......

Moet zeggen, maakt me wel enigzins nieuwsgierig naar deze speler en dan in combinatie met de versterker..... :)

ajbeefde

Quote from: bmateijsen on July  8, 2007, 19:39:24
CD-1 in combi met TDA2200 of SDAi2175 is gewoon erg 8).


Ja dat had ik al begrepen.....  :)

Wat voor luidsprekers er bij?
Denon AV Receiver AVR-X4500H, Denon DCD-1600NE,KEF R5, Kef IQ10, Kef model 100, REL Sub, Sony UBP-X800M2, LG OLED55C8PLA, Rega P3, Siltech, Supra, AQ Forest HDMI

Robert - Jan

Quote from: bmateijsen on July  8, 2007, 19:39:24
CD-1 in combi met TDA2200 of SDAi2175 is gewoon erg 8).


En in combinatie met de SDA 2175?   ;)
If they don't know wine is finer, let them boil water!

bmateijsen

Ik had al eens geroepen om het gewoon uit te proberen! 8)

Quote from: Robert - Jan on July  8, 2007, 20:27:19
En in combinatie met de SDA 2175?   ;)

Robert - Jan

Quote from: bmateijsen on July  9, 2007, 08:13:01
Ik had al eens geroepen om het gewoon uit te proberen! 8)


Weet ik, gaan we dit najaar proberen. Eerst de Supra Swords inspellen  ;D
If they don't know wine is finer, let them boil water!

hifiman

Quote from: bmateijsen on July  6, 2007, 14:05:05
Dat is eigenlijk niets anders dan meer keuze mogelijkheden in bronnen.
Hoi Bjorn,

In het aantal bron-naampjes wat je kan toekennen aan een input bedoel je?

Overigens heb ik um (de 2.0) er zowiezo maar in gezet :P

Ronald.

bmateijsen

Klopt.

Quote from: Audioloog on July  9, 2007, 10:49:04
Hoi Bjorn,

In het aantal bron-naampjes wat je kan toekennen aan een input bedoel je?

Overigens heb ik um (de 2.0) er zowiezo maar in gezet :P

Ronald.

hifiman

Quote from: bmateijsen on July  9, 2007, 11:07:42
Klopt.

Lekker boeiende update, aangezien je toch zelf naampjes kunt toekennen via de pc  :P

Deleted member


Deleted member

En weer een goede review van de TDAi2200. Deze review is van EnjoyTheMusic.com

http://www.enjoythemusic.com/magazine/viewpoint/0807/nearfield17.htm


QuoteSo how does the TDAI 2200 sound? Like nothing at all; I mean this in the best possible way. This is not the first piece of gear I've heard with built-in room correction. I was among the first reviewers to examine the SigTech two-channel room correction system over ten years ago for Stereophile Magazine. It worked, but not without sacrifices to sonic transparency and ergonomic ease. The TDAI 2200 demonstrates that DSP room processing has progressed to the point where its advantages far outweigh any audible liabilities.

Naturally I expected I would hear some alterations in harmonic balance with the RoomPerfect™ software engaged. But in my nearfield set-up I didn't hear much. Instead the RoomPerfect™ software had the biggest effect on imaging. Although the soundstage didn't get wider, every instrument and voice gained image specificity. On my own recording of the Boulder Philharmonic performing Beethoven's 9th symphony, each soloist occupied a more precise spot on the stage. The overall soundstage exhibited noticeably less smearing of the sonic image. On all the commercial pop, rock, and folk CDs in my library lead vocalists were better centered and background vocalists were more distinct entities with RoomPerfect™ engaged. RoomPerfect's improvement to time-alignment and reduction of early reflections certainly has positive affects on any music that passes through the TDAI 2200.

Soundstage width and depth through the TDAI 2200 was equal to other top echelon electronics I've had in my desktop system. The front of the soundstage began slightly behind the front of my ATC SCM-7 speakers and extended back smoothly with plenty of room for multiple layers of depth. Soundstage width went well beyond the outer edges of the speakers and lateral image specificity was equally good across the soundstage. Although the depth and width of the soundstage wasn't any larger than what I've come to expect from other top-shelf gear, the specificity within the soundstage with RoomPerfect™ engaged was superior to what I've experienced.

As far as the various equalization settings go, after a couple of days of experimentation I found the "neutral" or flat EQ setting was the one I used 99% of the time. I understand through conversations with Triad product specialists that other EQ settings could easily be added via software patches to the TDAI 2200. I'd like to see a couple of presets that had more gradual and subtle high-frequency boosts such as one with only 1dB upwards tilt over the entire frequency range. Since these EQ settings replace treble and bass controls I think that less obtuse names would also add to their usefulness. "Treble Boost 1" as opposed to "Music 1" would be more informative for most users.

Many electronics have a limited volume range where they sound right. I call it the dynamic sweet spot. Below that level the sound isn't fully fleshed out, and above that level music begins sounding hard and mechanical. With the TDAI 2200 I could listen to music at almost any level and it remained involving and sounded harmonically correct. Yes, I know that the TDAI 2200 has a digital amplifier, but even chronic digiphobes will find the sound of this integrated amplifier to be very musical and harmonically relaxed regardless of what volume you choose to listen.

The TDAI 2200 reveals inner detail with as much grace and verisimilitude as anything I've heard. It renders musical detail so you don't have to expend excess mental energy to listen into a mix, but the information isn't presented in a sterile or excessively matter-of-fact way. Even after a long day of listening even at substantial SPL levels (for me that means 88dB to 90dB peak levels) I wasn't fatigued. Often only the late hours prevented me from continuing my listening sessions further into the night.

Every piece of gear regardless of its price-point or technical pedigree has some deviation from absolute harmonic neutrality. The TDAI 2200 is no exception. Overall it has a slightly warmer than neutral balance which, given its digital innards, came as a pleasant surprise. Its warmth is very subtle and not dissimilar to my longtime reference Pass X-150 power amplifier. The lower midrange doesn't have the kind of extra "juice" you'll find in tube electronics. Instead the TDAI 2200 has a subtler form of sweetness, especially in its treble presentation, which gives it a smidgen of extra musicality.

I suspect than many Nearfield readers may be thinking, "I wonder how the Lyngdorf TDAI 2200 would perform in my regular mid-field room-based two-channel system?" I suspect you'll hear more pronounced differences when the RoomPerfect™ software is engaged since room-based systems have more room interaction problems than a nearfield desktop system. I didn't use the TDAI 2200 with a room-based system because that is not my thing. So you'll either have to try a TDAI 2200 in your own room or wait for someone else to review it in that context. I strongly suggest you do the former rather than wait on the latter.

)p(

Quote from: Antoine on August  1, 2007, 20:50:14
En weer een goede review van de TDAi2200. Deze review is van EnjoyTheMusic.com

http://www.enjoythemusic.com/magazine/viewpoint/0807/nearfield17.htm




"Peter Lyngdorf, who was the principal designer of all of TacT's electronics,"

Hehe...eerder de principal marketing man ;)

Peter
peter

Shorty

QuoteI didn't use the TDAI 2200 with a room-based system because that is not my thing.

??? ::) :P :-X

VrGr,

Bart J.

PM

Groeten, Peter

molle

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